Five Hours from Paris is a neatly made film. There is a interesting plot and a narrative that has been divided into three. The smooth screenplay, and the apt visuals with the good performances makes the film a very good watch. The film moves in predictable lines and also features some excellent background score. Of the three divisions, the last one has a lasting impression and carries more power than the first two. The first two sections act as a strong foundation for the third segment. The major highlight of the film is that it centers around two characters and it stays with the two characters without going much into the depth of the people and culture around the two. But the director and writer has managed to clearly show how the life is different for both the leads. On the performance, Dror Keren as Yigel is splendid while Elena Yaralova is a treat to watch!
I haven't seen the original version of the film, Nidra, which was directed by Bharathan. But the version his son, Sidharth Bharathan, made was lovable for the way it was made. Nidra is a neat film. It has a writing material well adapted by Sidharth and Santhosh. The dialogues from Santhosh Echikkanam are bang on! Loved the visuals of the film as well but it seemed to have an excess of blue all over it. I wonder if Sameer Thahir did that to cover up for the excess of white that he might have had to accommodate while shooting on the Red camera. The music and background score of the film sounded well with the film. The editing and sound design were no less good. It did feel as though there where a couple of instances when the footages jumped creating a disturbance for a second or two. But, otherwise the editing by Bavan Sreekumar was just too good. I loved the editing on all those scenes that featured the redish look from Sameer and the scene at the dining table that featur...
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