Skip to main content

The Curious Case of Slumdog Millionaire

The Curious Case of Benjamin Button and Slumdog Millionaire are two of the major movies that fight for the 2009 Oscar glory. When both the films have a considerably good chance of winning at the Oscars here is what I think.
The Curious Case of Benjamin Button is an interesting movie which reminded me largely of the 1994 Academy Award winning movie, Forrest Gump. Eric Roth who adapted Forrest Gump is the writer here also. When Gump had its share of comedy to it, Roth has penned a more emotional and dramatic screenplay here. It is not that the movie does not work, the movie works. But then, it falls short of being one really good movie. The short story which the movie is based on has been changed to an extent in this film adaptation. Sadly, the movie is slightly boring for some parts. Yet, what holds this loosely written script is the considerably good execution by director David Fincher. David Fincher has visualised his most emotional movie with care. He has also been able to extract maximum out of his cast. Brad Pitt in the title role has given one of his finest performances. His makeup also deserves special mention. Taraji P. Henson as Benjamin’s mother is also terrific. She also has the backing of a powerfully written character. With an interesting plot and some smart execution watch this curious case once.
Danny Boyle’s Slumdog Millionaire is also an interestingly made film set in the Indian backdrop. The best part of the film is the smartly written screenplay by Simon Beaufoy, based on a not-so-great material (Q & A novel). I don't think the novel which the movie is based on hardly offers anything new! The movie has a perfect blend between the things that happen in the past and present. But then, the narrative turns offers nothing new after the first half an hour. The pace of the movie anyhow works good. The factor which slumdog has and which many or most Indian movies lack is the way the movie has filmed it's actions. The actions happened before the camera in Slumdog and it does not at once have the feel its being played. Yet, certain oddness could be felt in the language at parts.
And personally I felt that the visual look of the film is slightly forced. A more raw feel could have been more effective to the treatment of the film. The strongest point of Slumdog besides the screenplay is the score by A. R. Rahman (who has produced much better music which the Academy hasn't heard) and the brilliant casting of characters by co-director Loveleen Tandan.
The trouble with slumdog is that it is not extraordinary. It provides excitement, thrill and fun but all in the old fashioned way.
To my surprise, I don't feel that both these films are worth of an Academy Award for Best Picture though they are both good efforts.

Comments

Popular posts from this blog

Nidra

I haven't seen the original version of the film, Nidra, which was directed by Bharathan. But the version his son, Sidharth Bharathan, made was lovable for the way it was made. Nidra is a neat film. It has a writing material well adapted by Sidharth and Santhosh. The dialogues from Santhosh Echikkanam are bang on! Loved the visuals of the film as well but it seemed to have an excess of blue all over it. I wonder if Sameer Thahir did that to cover up for the excess of white that he might have had to  accommodate while shooting on the Red camera. The music and background score of the film sounded well with the film. The editing and sound design were no less good. It did feel as though there where a couple of instances when the footages jumped creating a disturbance for a second or two. But, otherwise the editing by Bavan Sreekumar was just too good. I loved the editing on all those scenes that featured the redish look from Sameer and the scene at the dining table that featured on

Green Street Days

Green Street Hooligans is a 2005 English film directed by Lexi Alexander and Bangalore Days is a 2014 Malayalam film directed by Anjali Menon. Both the film may not share much in common in the outside but they do have their own share of strange similarities. Green Street Hooligans and Bangalore Days have a plot point that is very similar in idea. No, this is not the strange similarity that I'm trying to talk about. Green Street narrates a story about football hooliganism and Bangalore Days a story about three cousins. Yes, these are actually very different ideas and obviously not 'strange' similarity! Both these films are directed by female filmmakers. In fact, both these films are the second feature length films directed by each. It's interesting to note that the themes these films deal with aren't exactly the kind that is expected of them. Green Street is a very violent film. It's a crime film on the backdrop of sports. And Bangalore days is meant to be

Second Show

Disclaimer This post isn't meant to offend anyone. But if you feel that I'm a bitching asshole, I'm sorry. I still want to post this. Prologue Ok, this post might go a little too long. This isn't a review for you to decide if you need to spend money to watch this film called Second Show. This is a writing of the director's friend, who later on turned out to be an assistant director in his film and then a movie goer who ended up seeing the film his friend made. Chapter 1: Build up Before I write anything about the film that I have seen, I would like a rewind. Like a cliched boy who is about to propose to his girl, I bloody don't know where to begin! Your blogger, that's me, Appu N. Bhattathiri, happened to have worked in this film called Second Show as an assistant director. Yes, I know that line sounds like a self promotion sort of a stuff, but it's the truth! I'm a guy with some complexes which I have to admit. Even though I'm proud th