Skip to main content

Journey 2: The Mysterious Island

I haven't seen Journey to the Center of the Earth but I definitely dint want to miss this sequel, Journey 2: The Mysterious Island, because I dint see the earlier part. It had two reasons. One, it was in stereoscopic 3D and the second was that I was in the Prasads, Hyderabad to see it in IMAX.
Before the actual film took off itself I was definitely loving the IMAX 3D experience. It was unlike anything that I had experienced all these 22 years. This was nothing but pure unadultered awesomeness! The 3D animated film called Daffy's Rhapsody was very forgettable except for its show off in stereoscopic 3D. But when Journey 2 began, that was something. Journey 2 is a highly flawed film. I wouldn't have enjoyed it this much if I had seen it in a normal digital projection with glasses. But watching the film in IMAX 3D was so much life. The screen filled my whole vision, well almost! There are some moments in the film when I was literally on the edge of the seat.
The content and the procedings doesn't evoke any sense of surprise. But what did surprise were when I even felt a few of the shots like the running through the forest or the falling from the top of the honeybee to be clear cut ripoff's from Avatar. The writing flatters thoughout its duration but there are a couple of laughs. Even the visual effects seemed lame here and there. The sets and the environment seemed too made up and the visual look wasn't also very appealing.
But what indeed was appealing to see, besides the IMAX 3D, was Vanessa Hudgens. She has only little to perform but nothing seemed to matter much when she managed to be on the largest IMAX screen in the world!

Comments

Popular posts from this blog

Nidra

I haven't seen the original version of the film, Nidra, which was directed by Bharathan. But the version his son, Sidharth Bharathan, made was lovable for the way it was made. Nidra is a neat film. It has a writing material well adapted by Sidharth and Santhosh. The dialogues from Santhosh Echikkanam are bang on! Loved the visuals of the film as well but it seemed to have an excess of blue all over it. I wonder if Sameer Thahir did that to cover up for the excess of white that he might have had to  accommodate while shooting on the Red camera. The music and background score of the film sounded well with the film. The editing and sound design were no less good. It did feel as though there where a couple of instances when the footages jumped creating a disturbance for a second or two. But, otherwise the editing by Bavan Sreekumar was just too good. I loved the editing on all those scenes that featured the redish look from Sameer and the scene at the dining table that featured on

Green Street Days

Green Street Hooligans is a 2005 English film directed by Lexi Alexander and Bangalore Days is a 2014 Malayalam film directed by Anjali Menon. Both the film may not share much in common in the outside but they do have their own share of strange similarities. Green Street Hooligans and Bangalore Days have a plot point that is very similar in idea. No, this is not the strange similarity that I'm trying to talk about. Green Street narrates a story about football hooliganism and Bangalore Days a story about three cousins. Yes, these are actually very different ideas and obviously not 'strange' similarity! Both these films are directed by female filmmakers. In fact, both these films are the second feature length films directed by each. It's interesting to note that the themes these films deal with aren't exactly the kind that is expected of them. Green Street is a very violent film. It's a crime film on the backdrop of sports. And Bangalore days is meant to be

Before Sunrise

At this point, I'm all set to start writing on a film that talks about a boy and girl and nobody else. I wish my film to fall under the romance genre that Richard Linklater successfully brought out through his Before Sunrise. At the late hour of the night, I'm all alone at my home, awake. My idea to revisit Before Sunrise was indeed a nice one. It should be more than three years since I saw the film for the first time. Before Sunrise is still the same. The characters haven't changed and their romance and love is just as it was in the first viewing. The performance of the two characters carry the film throughout the 100 minutes. There are quite a few people who visit their life at different points of the day and night and it is merely the eye of the camera that sees them all through. Linklater has made an exceptionally brilliant talking film about a boy and girl who live beyond their names that was discussed just once in the entire film. The film talks for you and me, for